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Home is a closely cropped domestic still life that teeters on the boundary between typical and absurd; pleasing and abject; familiar and uncanny. Two pairs of women’s shoes are propped up against the skirting board, virtually animated and shuffling to avoid the brown and white liquid which that from the two knocked over cartons. The spilled fluids swirl together, almost filling the cramped picture frame as it creeps into the foreground towards the viewer.
Shannon Cartier Lucy studied at New York University and began her art career in the city, but a divorce and substance addiction led the painter to put creating art on hold and return to her hometown, Nashville, Tennessee, where she pursued a degree in psychotherapy. In 2017, following a ten-year hiatus, Cartier Lucy was spontaneously compelled to pick up the paint brush, which led to Our New Home and was closely followed by 30 more paintings including the present work. These new paintings differed greatly in style and technique to the artists early work, they are precise in technique and united by the underlying sense of unease which permeates through each scene. In Our New Home (2017), a beautifully rendered glass fishbowl sits precariously above a gas flame, captured while the fish swim unaware and before the water boils. Similarly in Naptime (2018) there is a morbid sense of imminent demise as a female figure sleeps peacefully beneath a clear plastic sheet which also covers the surrounding bedroom furniture.'The image is intriguing and sexy and scary or odd, depending on who is seeing it. Painting somehow elevates the image, whatever it is, because the craft and its physicality can stop you, draw you in and convince you of its presence.' —Shannon Cartier Lucy
In 1980, Bulgarian-French philosopher Julia Kristeva coined the term abjection to describe the feeling of revulsion and disgust when the boundaries we use to categorise the world, such as inside/outside, animal/human, animate/inanimate and life/death, are transgressed. In the 1980s and 1990s, this theory sparked a movement of artists who explored this through their work, focussing mainly on the human body as the subject and with a strong feminist context. Unlike artist’s such as Louise Bourgeois, Jake and Dinos Chapman and Sarah Lucas who represented these themes predominantly through sculpture, Shannon Cartier Lucy’s recent practice is firmly anchored in traditional oil painting. Cartier Lucy’s paintings conjure a sense of abjection in the viewer, through the implied narrative in each work, with a softened and bright result. In If My Hand Offends Hires (2019), a large pair of scissors close around an outstretched wrist, the image is frozen before the skin can be pierced and the viewer’s mind is required to simulate the inevitable. The artist’s work plays on sensations of the uncomfortable and leaves the viewer suspended in a prolonged sense of calm before disaster strikes. The artist’s preoccupation with this feeling can be partially attributed to her father, who is diagnosed with schizophrenia, was homeless for a time and later lived with Cartier Lucy and her partner: ‘He’s a guy who wears two pairs of pants, and smears his television with peanut butter,’ she says. Rather than being horrified by his behaviour, she finds it fascinating, ‘That off quality, that uncanny quality [in my painting], I’m attracted to that because of my father.’i
Cartier Lucy’s paintings harbour a timeless quality, evoked by the artist’s intentionally simple and ambiguous figures, clothing and home furnishings. Of this choice, she has said ‘If I am painting shoes, they have to be very plain white sneakers or ballet shoes. High heels, for example, would take the work somewhere else. I prefer a clean slate in that sense.’ii In Home, we see only the simple black and beige soles of the shoes and a hint of the leather edges and straps, brandless cartons and traditional home decoration. The cool coloured walls, white panelling and narrow shard of sunlight illuminating the half of the door evoke the serene interiors of Vilhelm Hammershoi and the aerial viewpoint recalls the perspective utilised by Edgar Degas, yet these familiar qualities are disturbed by Shannon Cartier Lucy’s visceral addition of the spilled liquids and results in an altogether different experience.
Vilhhelm Hammershoi, Living in Strand Street with sunshine on the floor, 1901, Statens Museum for Kunst, Copenhagen. Image: Bridgeman Images Recently celebrated with her solo exhibition A stapled glass at Massimo de Carlo, Hong Kong (December 2021 through January 2022) and currently exhibiting at Massimo de Carlo, Milan with her solo exhibition The secret ingredient è la morte (19 May through 25 June 2022), Phillips are delighted to be making the artist’s first auction debut.
i Brienne Walsh, ‘In New Paintings, Shannon Cartier Lucy Blows The Lid Off Reality’, Forbes, 17 September 2021, online
ii Osman Can Yerebakan, ‘Do Not Ignore the Gift: Shannon Cartier Lucy Interviewed by Osman Can Yerebakan,’ BOMB Magazine, 26 October 2021, onlineProvenance
de boer gallery, Los Angeles
Acquired from the above by the present ownerExhibited
Los Angeles, de boer gallery, Shannon Cartier Lucy: Woman With Machete, 8 February - 25 April 2020
101
Home
oil on canvas
50.8 x 76.2 cm (20 x 30 in.)
Painted in 2018.
Estimate
£25,000 - 35,000 ‡
Sold for £47,880
Specialist, Associate Director, Head of Day Sale, 20th Century & Contemporary Art
+44 20 7318 4084
20th Century & Contemporary Art Day Sale
London Auction 29 June 2022
101
Shannon Cartier Lucy
Home
Estimate £25,000 - 35,000 ‡
Sold for £47,880
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102
Michaela Yearwood-Dan
Sentiments for D
Estimate £15,000 - 20,000 ♠
Sold for £44,100
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103
Hilary Pecis
Eva Hesse
Estimate £60,000 - 80,000 ‡
Sold for £52,920
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104
Caroline Walker
Stealing Steps
Estimate £40,000 - 60,000 ‡♠
Sold for £57,960
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105
Caroline Walker
Study for Pool Views
Estimate £20,000 - 30,000 ♠
Sold for £47,880
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106
Lauren Quin
Clutch for Smoke Study
Estimate £8,000 - 12,000 ‡
Sold for £30,240
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107
Joy Labinjo
Visiting Great Grandma
Estimate £30,000 - 50,000 ‡♠
Sold for £37,800
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108No Reserve
Jamian Juliano-Villani
Apparition of Master
Estimate £30,000 - 50,000 •‡
Sold for £52,920
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109
Jordy Kerwick
Untitled
Estimate £20,000 - 30,000 ‡♠
Sold for £100,800
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110
Cristina BanBan
As I Set Myself Free
Estimate £30,000 - 50,000 ‡♠
Sold for £144,900
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111
Anthony Cudahy
Stage (layers)
Estimate £10,000 - 15,000
Sold for £44,100
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112
Flora Yukhnovich
Study
Estimate £5,000 - 7,000 ♠
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113
This lot is no longer available.
114
Katherine Bernhardt
Wash Everything
Estimate £30,000 - 50,000 ‡
Sold for £214,200
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115
Katherine Bernhardt
Toilet Paper, Plantains + Bananas
Estimate £35,000 - 45,000 ‡
Sold for £81,900
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116
Sanya Kantarovsky
Untitled
Estimate £30,000 - 50,000 ‡
Sold for £35,280
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117
Rafa Macarrón
Aqui si llega
Estimate £70,000 - 100,000 ‡♠
Sold for £100,800
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118
Katharina Grosse
o.T.
Estimate £25,000 - 35,000 ‡♠
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119
Eddie Martinez
Albatross #2
Estimate £150,000 - 200,000 ‡
Sold for £163,800
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120
Aboudia
Dream of a Better World
Estimate £50,000 - 70,000 ‡
Sold for £94,500
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121
Aboudia
Untitled
Estimate £40,000 - 60,000
Sold for £75,600
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122
Salman Toor
Cloudy Day
Estimate £150,000 - 200,000
Sold for £504,000
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123
Emmanuel Taku
Balance
Estimate £20,000 - 30,000
Sold for £56,700
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124
Sungi Mlengeya
Relations
Estimate £20,000 - 30,000
Sold for £30,240
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125
Annan Affotey
Momo (Older Sister)
Estimate £8,000 - 12,000
Sold for £17,640
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126
Issy Wood
Untitled
Estimate £50,000 - 70,000 ♠
Sold for £35,280
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127
Derek Fordjour
No. 16
Estimate £40,000 - 60,000 ‡
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128
Oluwole Omofemi
Me and You
Estimate £20,000 - 30,000
Sold for £35,280
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129
Harold Ancart
Untitled
Estimate £40,000 - 60,000 ‡♠
Sold for £44,100
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130
Bernard Frize
Niche
Estimate £100,000 - 150,000 ♠
Sold for £151,200
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131
Shara Hughes
Untitled
Estimate £200,000 - 250,000 ‡
Sold for £226,800
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132
Josh Smith
Untitled
Estimate £100,000 - 150,000 ‡
Sold for £151,200
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133
Dan Colen
Sick Sick Sick
Estimate £30,000 - 50,000 ‡
Sold for £31,500
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134
Andy Warhol
Vesuvius
Estimate £60,000 - 80,000 ‡
Sold for £138,600
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135
Ed Ruscha
True
Estimate £120,000 - 180,000
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136
André Butzer
Three Works: (i) Untitled; (ii) Untitled; (iii) Untitled
Estimate £40,000 - 60,000 ‡♠
Sold for £94,500
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137
OSGEMEOS
Untitled
Estimate £70,000 - 90,000 ‡
Sold for £100,800
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138
Futura 2000
Broken Clock
Estimate £15,000 - 25,000 ‡
Sold for £15,120
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139
Kenny Scharf
Lavup
Estimate £70,000 - 90,000 ‡
Sold for £88,200
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140
Kenny Scharf
Fallopiana Planetina
Estimate £40,000 - 60,000 ‡
Sold for £44,100
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141
This lot is no longer available.
142
John Baldessari
Hands with Beer, Chicken and Money (with Observer, Clothing, and Umbrella Fragment)
Estimate £30,000 - 50,000 ‡
Sold for £50,400
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143
Carmen Herrera
Untitled
Estimate £50,000 - 70,000 ‡
Sold for £69,300
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144
Daniel Buren
Paint on/Under Plexiglas on Serigraphy, Diagonal n° 2 – Yellow, January 2013, situated work
Estimate On Request
Sold for £40,320
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145
Giorgio Griffa
Linee orizzontali
Estimate £10,000 - 15,000 ‡♠
Sold for £25,200
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146
This lot is no longer available.
147
Salvatore Scarpitta
Racing Rubber Sled
Estimate £20,000 - 30,000 ‡♠
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148
Pino Pascali
Cinque Bachi da setola
Estimate £200,000 - 300,000 ‡♠
Sold for £252,000
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149
Francis Alÿs
Untitled (Installation of two works, in collaboration with Emilio Rivera)
Estimate £150,000 - 200,000 ‡♠
Sold for £239,400
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150
Franz West
Cool Book
Estimate £180,000 - 200,000 ‡♠
Sold for £226,800
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151
Jean-Paul Riopelle
Two Shinnebock Whalers
Estimate £100,000 - 150,000 ‡
Sold for £75,600
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152
Rachel Whiteread
Untitled (Trafalgar Square Plinth)
Estimate £25,000 - 35,000 ♠
Sold for £32,760
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153
Cerith Wyn Evans
In Girum Imus Nocte et Consumimur Igni
Estimate £25,000 - 35,000 ♠
Sold for £30,240
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154
Tracey Emin
More Love
Estimate £60,000 - 80,000 ♠
Sold for £63,000
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155
Julian Opie
At the Studio with Ika 2
Estimate £25,000 - 35,000 ‡♠
Sold for £44,100
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156
Michael Craig-Martin
Wristwatch
Estimate £15,000 - 20,000 ♠
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157
Patrick Caulfield
2A
Estimate £40,000 - 60,000 ♠
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158
David Breuer-Weil
Long Island Tides
Estimate £15,000 - 20,000 ♠
Sold for £22,680
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159
David Annesley
Three Red Boxes and Circle
Estimate £50,000 - 70,000 ♠
Sold for £113,400
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160
David Hockney
Crawling Insects
Estimate £15,000 - 20,000 ♠
Sold for £21,420
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161
Henry Moore
Ear Piece
Estimate £15,000 - 20,000 ‡♠
Sold for £20,160
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162
Henri Laurens
La Sirène au Bras Levé
Estimate £20,000 - 30,000 ‡♠
Sold for £28,980
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163
Fernand Léger
La partie de campagne
Estimate £120,000 - 180,000 ‡♠
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164
A.R. Penck
Selbstkopf I
Estimate £20,000 - 30,000 ♠
Sold for £94,500
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165
Henri Matisse
Petite Tête aux cheveux striés
Estimate £100,000 - 150,000 ♠
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166
Georges Mathieu
Pritz
Estimate £6,000 - 8,000 ‡♠
Sold for £13,230
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167
Jean Dubuffet
VILLA 6
Estimate £18,000 - 25,000 ‡♠
Sold for £17,640
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168
Sayed Haider Raza
L'oasis
Estimate £60,000 - 80,000 ‡
Sold for £56,700
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169
Sayed Haider Raza
Midi
Estimate £25,000 - 35,000 ‡
Sold for £22,680
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170
Arman
Torso Money Queen
Estimate £20,000 - 30,000 ‡♠
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171
This lot is no longer available.
172
Sterling Ruby
Monument Stalagmite/Icolagnia
Estimate £30,000 - 50,000
Sold for £50,400
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173
Theaster Gates
Whyte Painting (NGGRWR 0019)
Estimate £10,000 - 15,000
Sold for £10,710
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174
Glenn Ligon
Excerpt
Estimate £90,000 - 120,000 ‡
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175
Josh Sperling
Untitled (O-Red)
Estimate £15,000 - 20,000 ‡
Sold for £12,600
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176
Anselm Reyle
Untitled
Estimate £30,000 - 50,000 ‡♠
Sold for £37,800
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177
Albert Oehlen
Plakat (Nacht)
Estimate £30,000 - 50,000 ‡♠
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178
Markus Schinwald
Tamara
Estimate £18,000 - 25,000 ‡♠
Sold for £17,640
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179
Wolfgang Tillmans
Separate System, Reading Prison (self c)
Estimate £20,000 - 30,000 ‡♠
Sold for £20,160
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180
Marilyn Minter
Shit Kicker
Estimate £20,000 - 30,000
Sold for £78,120
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181
Salman Toor
Jinnah With Fruits
Estimate £25,000 - 35,000
Sold for £25,200
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182
Lucy Bull
Three works: (i) Plume 1; (ii) Plume 2; (iii) Plume 3
Estimate £12,000 - 18,000 ‡
Sold for £15,120
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183
Nicolas Party
Portraits
Estimate £20,000 - 35,000 ‡
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184
Izumi Kato
Two works: (i) Untitled; (ii) Untitled
Estimate £6,000 - 8,000 ‡
Sold for £7,560
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185
Alejandro Cardenas
Parodoxa view 9
Estimate £8,000 - 12,000 ‡
Sold for £27,720
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186
Louis Fratino
Morning Glory
Estimate £6,000 - 8,000 ‡
Sold for £35,280
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187
Ann Craven
Moon (Little Glowing Magenta Tree, Cushing), 2021
Estimate £15,000 - 20,000 ‡
Sold for £52,920
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188
Serge Attukwei Clottey
Curious Look
Estimate £8,000 - 12,000 ‡
Sold for £10,080
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189
Daniel Crews-Chubb
Look at us now
Estimate £20,000 - 30,000 ♠
Sold for £44,100
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190
Ayako Rokkaku
Untitled AR 62
Estimate £40,000 - 60,000 ‡
Sold for £60,480
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191
Isshaq Ismail
Oman Mu Nsem 14
Estimate £10,000 - 15,000
Sold for £52,920
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192
Isshaq Ismail
Blue Face 2
Estimate £8,000 - 12,000
Sold for £47,880
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193
Noel W. Anderson
Michael in Sound Suit
Estimate £8,000 - 12,000
Sold for £13,860
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194
Jammie Holmes
War Child
Estimate £60,000 - 80,000 ‡
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195
Odinakachi Okoroafor
Isolation III
Estimate £5,000 - 7,000
Sold for £10,080
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196
Petra Cortright
hardcoreHARDWARE_sampling.pmi
Estimate £15,000 - 20,000 ‡
Sold for £25,200
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197
Mandy El-Sayegh
Net-Grid 6
Estimate £40,000 - 60,000 ‡
Sold for £75,600
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198
Maxim Kantor
Eagle's Nest
Estimate £60,000 - 80,000 ‡♠
Sold for £88,200
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199
Hannah Bays
Embers
Estimate £6,000 - 8,000 ♠
Sold for £12,600
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200
Max Prus
Persephone and the Preacher
Estimate £8,000 - 12,000 ♠
Sold for £17,640
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201
George Morton-Clark
Spoon for a gun fight
Estimate £15,000 - 20,000 ♠
Sold for £39,060
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202
Thierry Noir
Fruits are piling up in front of me. It is a good idea! I am going to buy clementines for tonight’s desert
Estimate £12,000 - 18,000 ♠
Sold for £52,920
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203
Mr Doodle
Untitled
Estimate £4,000 - 6,000 ♠
Sold for £3,528
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204
Albert Willem
A Dazzling Film Night
Estimate £10,000 - 15,000 ‡♠
Sold for £151,200
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205
Damien Hirst
H10-2 Nūr Jahān (from the Empresses series)
Estimate £4,000 - 6,000 ♠
Sold for £5,040
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206
Banksy
Morons
Estimate £50,000 - 70,000 ♠
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207
Banksy
Very Little Helps
Estimate £50,000 - 70,000 ♠
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208
The Connor Brothers
Old Behaviour
Estimate £6,000 - 8,000 ♠
Sold for £47,880
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